| MARK DODSON - BIO
Born February 1, 1960 (St. Louis, MO)... Went to L.A. in 1978
Favorite voice artist: Paul Frees
Film Voice Over Credits
1983 Return Of The Jedi (Salacious Crumb) 1984 Gremlins (Gremlins)
Ewok Adventures (Ewoks...Phlogs)
Disney Records Cinderella (Mice...Coach Driver)
Disney Films Fitness and Me (Sir Sloth...French Dragon) 1985 Day Of The Dead (Zombies) 1990 Gremlins 2 (Gremlins... Bad Mogwais... Daffy.. Lenny... George... Announcer)
1991 Darkwing Duck (Professor Molearty)
2007 Deadwood Park (Harold Evrett)
Commercial Voice Over
McDonalds (Monopoly Man)
Six Flags (Announcer)
Harley Davidson (Announcer)
Cookie Crisp (Announcer...Cookie Crook... Cookie Cop)
Sears (Announcer)
Jiffy Lube (Announcer)
Hardees and Carls Jr. (Announcer)
Campbells Pace Picante Sauce (Announcer)
On Air
KUSA St. Louis (DJ)
Universal Studios Hollywood Radio Show Comedy Line (Announcer)
Unistar Radio Networks nation wide (DJ)
Olympia Networks (Characters)
KIK FM Orange County California (DJ)
KHAY LA (DJ)
WIL FM St. Louis (DJ)
Mark Dodson
Heartland Radio Inc.
www.bunkhousegang.net
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Conducted/Edited by L. Mangue ( May 3rd, 2005) 1
I'd like to
thank you for so much for your time and for granting
Nerf-Herders-Anonymous.net the opportunity to let people know about the
voice behind Salacious B. Crumb, and the Gremlins!
Believe me it's my pleasure!
First, we'd
like to know a little bit about you, how it all began for Mark Dodson
and when did you first realize that you were interested in performing?
Well, I was born in 1960
(St. Louis, MO). I was pretty much a ham when I was a kid, I was always
into characters when I'd watch cartoons and movies. I always liked the
Warner Bros. characters and their voices I wanted to know who did the
voices. While most kids at that age (9 or 10) didn't really question
that too much, I was really interested.
Who were your outside influences while growing up and beyond?
Blanc, Frees, Brooks, Hitchcock & mom
I loved Mel Blanc's characters. There was another voice that I always really liked.
I went to Disneyland when I was 10 years old, went in the Haunted Mansion and heard Paul Frees (The Ghost Host)
and THAT was the voice that I really thought 'ooh, I wish I had a voice
like that'. Paul Frees did the voices for many of the rides at
Disneyland (Adventures thru Inner Space, Great Moments with Mr. Lincoln, etc.) and he did the voice of Boris Badanoff (Rocky & Bullwinkle cartoon) and so many characters...I can't name them all (Two:: nearly 30 years as the Pillsbury Doughboy; Toucan Sam for Fruit Loops ) That was when I first knew that I liked characters and thought it would be neat to do voices.
Then I was
really interested in being a director and producer, that was what I
thought I would do. I set out for Los Angeles from St. Louis with the
intention of being...ready for this? ...the next Mel Brooks or Alfred
Hitchcock. I know, two total opposites, but that was what I wanted to
do, either comedy, wanting to make people laugh, or scare them hell out
of them. Either one was just as much fun for me. As a kid I remember I
used to scare the hell out of my mom when I wanted to and I used to
make her laugh when I wanted to. So, that's how that came about.
How did you find your way to Lucasfilm and the audition for Salacious?
Love, Labor, Little Creatures and Lotsa Timing
I
came to Los Angeles in 1978 and after a couple of years there I met
someone who worked for Lucasfilm, her name was Rita Bosik and we fell
in love. She was being moved to Northern California from the Egg
Company (the cover designation for Lucasfilm South),
she was in charge of all the toys. We wanted to stay together so I told
her I wanted to GO together. Maybe I could get a job with Lucasfilm up
in Northern California.
Once we got
there the only thing that they had available was working for Skywalker
development which was out at the Ranch building Lucasfilm...building
Skywalker. I decided I needed something and something else would turn up while I was working out there.
I had been a
laborer and a carpenter while in Los Angeles on the side and, oh I did
many things while in LA at first. But, I went to the interview and got
the job at first at the Kerner Company (San Rafael, CA), where they were building the sound studios for Ben Burtt , Sprockets
was the name of it. I worked as a laborer and I was moved up to being
a carpenter, but that wasn't really what I wanted. I wanted to be moved
into being in the production end of things, just as a production
assistant.
I was
walking around one day and playing around with some of my silly voices,
just being goofy and somebody said, "Hey, you know, Ben Burtt is always
looking for voices..." Somebody had heard me doing Popeye and said, "...why don't you call him up..."
I thought, I can do a lot of different voices, I guess I'll check that
out. So, I called Ben. At about the same time it just so happened that
Ben Burtt had put a notice on the computers
at Lucasfilm, he was wondering if anybody knew anybody who had a baby
raccoon, he wanted to record some raccoon sounds. My wife at the time,
Rita, saw that on the computer and said, "...we have a raccoon..",
matter of fact we had a baby raccoon that I had gotten, her name was
Mabel, and we told Ben that we had the raccoon and he could record some
sounds.
Ben came out
to our place, he wanted to get the raccoon in it's natural habitat, he
tried to get the raccoon to do something but it didn't. So, Ben left a
Sony reel-to-reel at our house and said, "whenever your raccoon makes
some good noises try to get it recorded." We did, and I took the
recording to him and said , "by the way, I do voices just as well as my
raccoon" *laughs* ...and could I try out for anything that he was
working on. Burtt said, "sure! Come on in."
I went in
and the first thing I tried out for was...well, I didn't know what it
was, all secretive. Burtt wanted me to say, "be good" and "phone home"
and yell this little boy's name "Elliott!"..say it all different ways.
I did. He ended up not using my stuff but he did use my raccoon. I
didn't even know what I had done until we went to a screening of E.T.
and when that scene came up I told my wife, "Hey, that's what I was
trying out for! It was THAT voice" That's what our raccoon was used for
Anyway, some
time went past and I continued working as a carpenter for Skywalker,
they were working on Return of the Jedi, and I contacted Ben and said,
"Hey, Ben, could I come over and try out for some characters again?" he
said "sure!", Ben is very nice that way. He had me come over and as a
matter of fact it was in the studio that I had worked to build, I had
literally been a laborer in that studio and helped build that studio.
Burtt gave
me the script for Admiral Ackbar. I didn't do a very good job, I was
pretty green at the time and I was overwhelmed by the script that I was
reading, so I told Ben, "Just a minute, I'm really uptight, nervous,
let me loosen up" I stepped back away from the mic and just started
yellin' *laughs* kinda screaming and *makes noises*, making sounds and
*other sounds* laughing like a cacklin'...like a witch. Ben said, "wait
a minute, do that cackle again" I did the *cackles* again, and he
said "I think I can use that for something, let's do some stuff with
that"
Ben told me
what was going on in the scene and as described it, ..."you're kinda
part bird, part monkey, part rat, you're sitting on a big animal's
table and you're eating cheese...make some sounds!" I just started
making sounds in that *in character* "in that kinda voice" then he
described it, "...and now you're being...the creature has seen you and
you're scared!" Then I screamed like I was scared in that voice. "Now
you're running from the creature.." *laughs* and I was running! Ben
says, "He's got you by the tail" I just did all sorts of screams. This
is happening, that is happening...he said it was great, that he would
probably use it, that he'd let me know.
It wasn't
too long, probably only a month before Return of the Jedi was coming
out, that we went to a screening of Return of the Jedi with everyone,
we're sitting in the audience and all of a sudden that Salacious Crumb
started cackling...and I looked over to my wife and said, "That's me!"
she said, "What do you mean that's you?" I said, "That's my voice!
That's what I did!" I was really excited.
After the
screening I went to the party, the big wrap party, walked up to Ben and
said, 'Hey, Ben did you use...?" He says, "Oh yeah! What'd you think of
it?, did you know who you were?" I told him. "You're right! It was
you, it worked out great..." he said. As a matter of fact when George
heard it he like the way that the voice worked so well with Salacious
that he decided to use it even more, they went back and put a lot more
scenes in with some close ups of Salacious Crumb.
So, thanks to Tim Rose and his puppeteering and my voice,
the two of them came together just right and it worked, the creature
came alive. Salacious Crumb has been my favorite ever since then,
because it was my first and it was so cool to work with Ben Burtt.

The obligatory Star Wars question: Had you seen Star Wars or the Empire Strikes Back?
Yes,
I had seen Star Wars, I saw it when it came out at the movie theatre,
I guess I was about 18 when that came out, saw it that summer and
thought it was great. I saw the Empire Strikes Back the year it came
out.
Whom did you meet while at Lucasfilm?
I had met George Lucas
on several occasions, not because of Salacious just being a part of the
company. He was always pretty easy to meet him at the functions, there
was the 4th of July party out at the Ranch and, the Christmas party the
year of Return of the Jedi.
Ian Bryce (production:
Return of the Jedi, Indiana Jones and the Temple of Doom/Last Crusade;
Who Framed Roger Rabbit; Ewoks: Battle for Endor) somehow
saw to it that I sat at the table with Anthony Daniels, I think he did
it to be funny. Ian and Anthony are good friends and he knew that
Anthony did not like Salacious Crumb at all. He somehow set it up where
I was sitting at Anthony's table at this Christmas party and made it a
point to introduce me to Anthony and told him that I was Salacious
Crumb. I remember the first thing Anthony did was give me a look that
coulda killed *laughs*, he looked at me and said, "Oh, I didn't like
you at all" he laughed about it and talked about how he didn't
appreciate at all that I defaced his character (because of the scene
where I <Salacious> attack him <C3P0> and pull an eye out). But, he was really nice and that was cool.
I also got to meet the monster makers who made Salacious and that was Chris Walas (Return of the Jedi; Ghost; Gremlins; Raiders of the Lost Ark) and Tony McVey (Return of the Jedi; Gremlins; Phantom Menace; Attack of the Clones),
when I met them I said, "wouldn't it be great if someday they did a
movie where they went to Salacious' planet and it was all Salacious
Crumb's on the planet?" you know, kinda self serving though *laughs*
they thought that would be cool too!
There was a lot of people at the parties and the picnics, you meet everybody. I
got to meet and work with a lot of neat people. I think one of the
coolest things, for me anyway, being involved with a film that...well,
I'm in a movie with Darth Vader! That's pretty cool!
Can you tell us how much you were paid for voicing the mischievous, Kowakian Monkey-Lizard?
Yeah, I have recently divulged that I was paid a hundred dollars for that part.
Frequently
a large production, such as Return of the Jedi, can lead to work in
similar productions and other interesting projects. What kind of work
did you get as a result of Mr. Crumb and what were you involved with
after Return of the Jedi?
Gremlins, Sloths and Ewoks, oh my!
It wasn't too long
after Jedi that Chris Walas and Tony McVey came up to me and said we
needed to get together for lunch to discuss something they were working
on. We got together and they told me, "Remember when you said it would
be great if they went to a Salacious Crumb planet?" I said, "Yeah, are
they doin' it?" They said, "well, kinda, but they're all on earth". I
asked them to tell me about it. Chris and Tony were making 'them' and
calling them Gremlins...going to be a Spielberg film with Joe Dante
directing.
Steven had
actually asked them if they knew who did the voice of Salacious Crumb.
They said yes and Spielberg asked if they could get a hold of him,
though that would be the perfect voice for the Gremlins as well. So
they did, they got a hold of me., we went over and worked on Gremlins.
That's what Salacious led to and since that time Gremlins has done very
well for me, I of course did Gremlins 2.
In Gremlins I did most of the Gremlins, I worked with Frank Welker
and Howie Mandel and I got to sing with the Seven Dwarfs...I mean,
those guys are cool!. On Gremlins 2 again I was Daffy, Lenny and
George (created from Gizmo), and a whole bunch of the background Gremlins/Mogwais (I sure would like to do a Gremlins 3!) Also, Christopher Lee (in Gremlins 2) was always my favorite vampire, of course he ended up being in the other Star Wars movies.
It was shortly
after Return of the Jedi that following year that George decided he
needed a break, understandably. I was one of the many, many who were
laid off. I went back to Los Angeles. I had decided that since I had
done voice work...rather than look for directing/producing and getting
into that business at that point I may as well stay with my voice work.
I went to Warner
Bros. and Disney (did a lot of Disney records) and Hanna Barbera, did a
lot of incidental characters for things. Darkwing Duck with Warner
Bros. I did a show, Fitness & Me, I was Sir Sloth, that character
was big *does Sloth voice* that character needed to wake up, got to
sing in his voice. I did a pilot for Viacom, Wishman, I was the voice
of Wishman.
Later on I was
called back to do a lot of the Ewoks and Phlogs for the Ewok
Adventures. I went on to do a lot of voice over work for commercials, I
did McDonalds, I did Sears, a ton of commercial work.
How did you get involved with Radio Works Central?
Radio Works
Central came because after a while doing voice over work in Los Angeles
I decided I didn't want to live there anymore, pretty much a country
boy. I decided I would go into radio. I could use my voice there and
I'd also be able to go pretty much, and live, wherever I wanted to so I
wouldn't be tied to Los Angeles.
I got into radio
with the Unistar Radio Network (used to be RKO Radio Network) and ended
up working for Dick Clark. In fact met him, went to his house for
dinner one time with a whole group. I was a DJ for format 41(Adult Contemporary, Country and Oldies Channels) out
of LA, they're now owned by Westwood One. After a while I figured I had
my credits together and moved back to St. Louis where my family was. I
remarried, had two children and came back to St. Louis and went to work
in country radio. I also found someone who was doing radio syndication
out of St. Louis and did voice work for them, characters for their
radio. That went real well and I decided as much work as we were doing
why not start our own?
Eleven years ago
(spring of 1994) we started The Heartland Radio Network with the
Bunkhouse Gang and a show called, Country Spotlight.
Since that time
for Country Spotlight I interviewed country artists and hosted that
show. I've interviewed everyone from Willie Nelson, in person at their
shows, Alan Jackson, Shania Twain...pretty much any artist, you name
them, I've probably interviewed them.
What I really have
fun doing is the comedy for Bunkhouse Gang, I write most all of that.
You can check out what we do, we put out a CD every two weeks, been
doing that for eleven years and there are 70 cuts on a CD. You can see
a very small portion of what we do at: www.radioworkscentral.com
I continue to do voice over work for commercials and radio stations.
In
closing I'd like to say that I'm really looking forward to seeing the
new Star Wars movie, Revenge of the Sith...I see George finally decided
to use the word "Revenge" in the title *laughs*...and maybe, if they
invite me, showing up at a Star Wars convention sometime and getting to
meet people.
Thanks to Leah and everyone out there who keeps the Force alive!